For the most part, I cringe whenever someone takes something like the National Anthem and in an attempt to inject some new life and interpretation into it, takes such liberties with the work that it becomes unrecognizable.
That is so not the case with Madison Rising’s kick-ass version…
[youtube]http://youtu.be/yaye7Md3PYs[/youtube]
Certainly a more traditional rendition remains appropriate in formal settings (and there have been some really cringe-inducing, star-mangled performances done in the past); but until this version came out, I had never wanted to listen to the Star-Spangled Banner before in leisure, and as a rock song. This version, I actually listen to pretty regularly in the car as a track on one of my CD mixes.
Madison Rising has composed, produced and performed the most compelling rendition of “The Star-Spangled Banner” since Francis Scott Key wrote the original poem in 1814.
A rock band led by singer Dave Bray and guitarist Alex Bodnar, Madison Rising composes and performs guitar-heavy rock music with an explicitly patriotic pro-American message and sound.
If you liked this rendition of our national anthem, please take a click on over to the original video by the band; they are attempting to reach 5 million views by the end of July 4, 2013 (as of this writing, they are at 3,864,859).
Please post and link their video wherever you can to help them achieve their goal. (My version is mostly for my own narcissistic amusement).
Madison Rising brings great rock music back to the forefront of popular culture. With songs ranging from the guitar heavy opening track “Right To Bear,” to the hauntingly epic sounds of “Honk If You Want Peace,” to the beautiful violins of “Hallowed Ground,” it is clear that this band is on a mission to not only make great music, but also send a message that American culture is alive and well.
Madison Rising promotes the principles of liberty, independence, smaller government and personal responsibility.
Music, Hollywood, the arts can seem dominated by the liberal mindset and heartstrings; so it is always nice to listen to unapologetic conservative artists stamp their voices to their works.
Support them.
To book the band, please contact: booking@madisonrising.com
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Click here for a free download of Madison Rising’s American DreamVisit the Madison Rising store
The complete lyrics in 1814 by Francis Scott Key:
Oh, say can you see by the dawn’s early light
What so proudly we hailed at the twilight’s last gleaming?
Whose broad stripes and bright stars thru the perilous fight,
O’er the ramparts we watched were so gallantly streaming?
And the rocket’s red glare, the bombs bursting in air,
Gave proof through the night that our flag was still there.
Oh, say does that star-spangled banner yet wave
O’er the land of the free and the home of the brave?On the shore, dimly seen through the mists of the deep,
Where the foe’s haughty host in dread silence reposes,
What is that which the breeze, o’er the towering steep,
As it fitfully blows, half conceals, half discloses?
Now it catches the gleam of the morning’s first beam,
In full glory reflected now shines in the stream:
‘Tis the star-spangled banner! Oh long may it wave
O’er the land of the free and the home of the brave!And where is that band who so vauntingly swore
That the havoc of war and the battle’s confusion,
A home and a country should leave us no more!
Their blood has washed out their foul footsteps’ pollution.
No refuge could save the hireling and slave
From the terror of flight, or the gloom of the grave:
And the star-spangled banner in triumph doth wave
O’er the land of the free and the home of the brave!Oh! thus be it ever, when freemen shall stand
Between their loved home and the war’s desolation!
Blest with victory and peace, may the heav’n rescued land
Praise the Power that hath made and preserved us a nation.
Then conquer we must, when our cause it is just,
And this be our motto: “In God is our trust.”
And the star-spangled banner in triumph shall wave
O’er the land of the free and the home of the brave!
The lyrics come from “Defence of Fort McHenry”,[1] a poem written in 1814 by the 35-year-old lawyer and amateur poet, Francis Scott Key, after witnessing the bombardment of Fort McHenry by the British Royal Navy ships in Chesapeake Bay during the Battle of Fort McHenry in the War of 1812.
The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men’s social club in London. “The Anacreontic Song” (or “To Anacreon in Heaven”), with various lyrics, was already popular in the United States. Set to Key’s poem and renamed “The Star-Spangled Banner”, it would soon become a well-known American patriotic song. With a range of one and a half octaves, it is known for being difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.
“The Star-Spangled Banner” was recognized for official use by the Navy in 1889, and by President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.
Before 1931, other songs served as the hymns of American officialdom. “Hail, Columbia” served this purpose at official functions for most of the 19th century. “My Country, ‘Tis of Thee”, whose melody is identical to “God Save the Queen”, the British national anthem,[2] also served as a de facto anthem.[3] Following the War of 1812 and subsequent American wars, other songs would emerge to compete for popularity at public events, among them “The Star-Spangled Banner”.
Early history:
On September 3, 1814, following the Burning of Washington and the Raid on Alexandria, Francis Scott Key and John Stuart Skinner set sail from Baltimore aboard the ship HMS Minden, flying a flag of truce on a mission approved by President James Madison. Their objective was to secure the exchange of prisoners, one of whom was Dr. William Beanes, the elderly and popular town physician of Upper Marlboro and a friend of Key’s who had been captured in his home. Beanes was accused of aiding the arrest of British soldiers. Key and Skinner boarded the British flagship HMS Tonnant on September 7 and spoke with Major General Robert Ross and Vice Admiral Alexander Cochrane over dinner while the two officers discussed war plans. At first, Ross and Cochrane refused to release Beanes, but relented after Key and Skinner showed them letters written by wounded British prisoners praising Beanes and other Americans for their kind treatment.
Because Key and Skinner had heard details of the plans for the attack on Baltimore, they were held captive until after the battle, first aboard HMS Surprise and later back on HMS Minden. After the bombardment, certain British gunboats attempted to slip past the fort and effect a landing in a cove to the west of it, but they were turned away by fire from nearby Fort Covington, the city’s last line of defense.
During the rainy night, Key had witnessed the bombardment and observed that the fort’s smaller “storm flag” continued to fly, but once the shell and Congreve rocket[4] barrage had stopped, he would not know how the battle had turned out until dawn. By then, the storm flag had been lowered and the larger flag had been raised.
During the bombardment, HMS Erebus provided the “rockets’ red glare”. HMS Meteor provided at least some of the “bombs bursting in air”.
Key was inspired by the American victory and the sight of the large American flag flying triumphantly above the fort. This flag, with fifteen stars and fifteen stripes, had been made by Mary Young Pickersgill together with other workers in her home on Baltimore’s Pratt Street. The flag later came to be known as the Star Spangled Banner Flag and is today on display in the National Museum of American History, a treasure of the Smithsonian Institution. It was restored in 1914 by Amelia Fowler, and again in 1998 as part of an ongoing conservation program.
Aboard the ship the next day, Key wrote a poem on the back of a letter he had kept in his pocket. At twilight on September 16, he and Skinner were released in Baltimore. He completed the poem at the Indian Queen Hotel, where he was staying, and entitled it “Defence of Fort McHenry”.
Much of the idea of the poem, including the flag imagery and some of the wording, is derived from an earlier song by Key, also set to the tune of The Anacreontic Song. The song, known as “When the Warrior Returns”,[5] written in honor of Stephen Decatur and Charles Stewart on their return from the First Barbary War.
According to the historian Robin Blackburn, the words “the hireling and slave” allude to the fact that the British attackers had many ex-slaves in their ranks, who had been promised liberty and demanded to be placed in the battle line “where they might expect to meet their former masters”.[6]
More history on the Wikipedia page.
A former fetus, the “wordsmith from nantucket” was born in Phoenix, Arizona in 1968. Adopted at birth, wordsmith grew up a military brat. He achieved his B.A. in English from the University of California, Los Angeles (graduating in the top 97% of his class), where he also competed rings for the UCLA mens gymnastics team. The events of 9/11 woke him from his political slumber and malaise. Currently a personal trainer and gymnastics coach.
The wordsmith has never been to Nantucket.