Special Effects Legend Dies: 92

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Skeleton soldiers from "Jason and the Argonauts" (1963) are displayed at the opening of "The Fantastical Worlds of Ray Harryhausen" exhibition at the Academy of Motion Picture Arts and Sciences in Beverly Hills, California, on May 13, 2010.
Skeleton soldiers from “Jason and the Argonauts” (1963) are displayed at the opening of “The Fantastical Worlds of Ray Harryhausen” exhibition at the Academy of Motion Picture Arts and Sciences in Beverly Hills, California, on May 13, 2010.

(CNN) — Ray Harryhausen, the stop-motion animation and special-effects master whose work influenced such directors as Steven Spielberg, Peter Jackson and George Lucas, has died, according to the Facebook page of the Ray and Diana Harryhausen Foundation.

Harryhausen was 92. The page did not offer a cause of death.

Harryhausen’s pioneering work on such movies as “Mighty Joe Young,” “Jason and the Argonauts,” “One Million Years B.C.” and “Clash of the Titans” (1981) was widely praised for its ability to blend stop-motion effects — models filmed one frame at a time — and live action.

In “Jason,” for example, the hero has a battle with a group of skeletons that emerge from the ground and take on the Greek warriors.

Harryhausen called his format “dynamation,” and though it looks somewhat crude by today’s computer-generated standards, it still packs a punch — and other filmmakers remain agog by Harryhausen’s abilities.

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The science-fiction and fantasy films of Harryhausen’s career weren’t the star-filled, big-budget productions of today. Indeed, Harryhausen’s creations were often the main attraction for films that lacked the polish of major studio releases.

But the dedicated Harryhausen had a well-earned following, and was quick with praise for his successors. He also never lost his fondness for storytelling, and even in today’s computer-dominated marketplace, maintained high hopes that the art of combining stop-motion with live action would continue.

“Stop-motion is a medium that welcomes fantasy, hence the number of recent productions,” Harryhausen told CNN in 2012. “As yet, though, there seem to be no productions that are utilizing model stop-motion and live actors. But that will, I think, re-emerge. It is only a matter of time.”

I remember to this day, when I was very young, being taken by my parents to a drive-in showing of “Jason and the Argonauts”.

To this day, I still feel the chills that this scene gave me as a young boy:

[youtube]http://youtu.be/IXmRuJByoVs[/youtube]

[youtube]http://youtu.be/M20PgQl0scE[/youtube]

A true pioneer in the field of special effects entertainment.

Ray Harryhausen, the stop-motion animation and special-effects master whose work and influence was far-reaching, poses in front an enlarged model of Medusa from his 1981 film "Clash of the Titans" in London in 2010. Harryhausen has died at 92, according to the Facebook page of the Ray and Diana Harryhausen Foundation.
Ray Harryhausen, the stop-motion animation and special-effects master whose work and influence was far-reaching, poses in front an enlarged model of Medusa from his 1981 film “Clash of the Titans” in London in 2010. Harryhausen has died at 92, according to the Facebook page of the Ray and Diana Harryhausen Foundation.
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I enjoyed every one of his movies that I saw.
And, when they come on in reruns (like on AMC) I watch them again.
Sure, today we have computer-animated stuff that is improving constantly, but Harryhausen’s work has a freshness and personality not easy to duplicate on a computer-animated screen.
The only reason the computer generated tigers worked in both Gladiator and Life of Pi is that they spent only short time on screen at any one point.

Harryhousen’s dance of the snake woman in the big jar was a long scene and amazing.

One of the Masters… he’ll be missed.